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Honoré Daumier's "Farce Dramatique" Lithograph
Lithograph by Honoré Daumier entitled “Farce Dramatique” and dated 1841. Sur blanc impression. Portraying the fictional character Robert Macaire. The editors were Philipon and Aubert.
Some pencil markings on the back corner show Loys Delteil (L.D.) compiled the catalog, and the catalogue number of the print is 873. It is the III/III state.
Below the image, the French to English translation is as follows:
Dramatic farce.
- Gently! Gently!? Do not raise the curtain, I am not playing -(the frightened Director rushing towards him). You must be joking, my dear Macaire, you must be joking? - Not at all, not at all! I will not play. - You will not play a similar trick to the theatre, to the author, to your poor colleagues? - Brrrrt! you are not honoring your engagements, so I have all the right to break mine, give me the leave! - I do not hold my engagements??
- No, you must pay me cash and you owe me!! - What? - You owe me 75 centimes.
Dimensions: Approximately 13 1/2" x 10 1/2"
Condition: VG. Some light creasing along the edges of the paper. Very little discoloration, if any. Some more discoloration on the blank side. The lithograph image itself is in excellent condition considering its age.
Please look closely at the images to assess condition or feel free to email us for additional photos.
*Due to the fragile nature of vintage art and vintage items, the listings in the Bygone Goods section of the store are FINAL SALE and not refundable.
About Daumier:
Honoré Daumier famously satirized France’s bourgeoisie and justice system, and masterfully exposed the misery of the masses through the emerging medium of lithography. Grotesque caricatures of government officials endeared him to the public, although one-too-many scathing renderings of King Louis-Philippe also landed him six months in prison. Thereafter, he stuck to the safer ground of deriding archetypal professionals such as doctors, professors, and especially lawyers and judges, whom he deemed cruel and pretentious. While his output of lithographs and illustrative drawings was most prodigious, Daumier also sculpted busts of members of parliament and painted religious and historical themes in the naturalist style, including many notable images of Don Quixote riding his horse. These late works were hardly recognized during his lifetime, yet are acclaimed today for their experimental techniques.
The Metropolitan Seminars in Art series was written by John Canaday, a renowned art critic and historian, and published by the Metropolitan Museum of Art in the 1950s. It was designed to make art appreciation accessible to a general audience, focusing on the study of painting, artistic techniques, movements, and history.
Each volume explores a specific theme, such as “Realism,” “Abstraction,” or “Expressionism,” providing insights into artistic styles, techniques, and the cultural context of art. The books include tipped-in color plates, which are fine-quality reproductions of notable artworks. These plates could be detached for display, making them highly collectible.
John Canaday’s clear and engaging prose simplifies complex art concepts, making the series appealing to both beginners and seasoned art enthusiasts. Spanning a wide range of artistic movements, the volumes provide an in-depth yet approachable art education experience.
The series remains a sought-after collectible for its timeless educational value, elegant design, and inclusion of high-quality artwork reproductions. It is especially prized when complete and in good condition with the original prints intact.
We source our Bygone Goods from all over! Through our travels, we’ve built strong relationships with exceptional antique and vintage vendors across the country.
Sometimes, we simply stumble upon rare finds in hidden gem stores.
Every piece we list is carefully curated—if it doesn’t meet our high standards of quality and uniqueness, it doesn’t make the cut.
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